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English electronic dance music group

The Prodigy
Maxim performing at the Electric Factory in Philadelphia, PA, USA with Liam Howlett in back and Keith Flint out of the shot.

Proverb performing at the Electric Manufacturing plant in Philadelphia, PA, United states with Liam Howlett in back and Keith Flint out of the shot.
Background information
Origin Braintree, Essex, England
Genres
  • Electropunk
  • electronica
  • culling dance
  • big beat
  • electronic rock
  • breakbeat hardcore
  • industrial[ disambiguation needed ]
  • synth-rock
  • new rave
  • rave
Years active 1990 (1990)–present
Labels
  • Take Me to the Hospital
  • Ragged Flag
  • Cooking Vinyl
  • Xl
  • Beggars Banquet
  • Mute
  • Maverick
  • Warner Bros.
  • Elektra
  • Shock
  • Disco Mix Lodge
  • BMG
  • Vertigo
Website theprodigy.com
Members
  • Liam Howlett
  • Maxim
Past members
  • Keith Flint
  • Leeroy Thornhill
  • Sharky

The Prodigy are an English electronic dance music band from Braintree, Essex, formed in 1990 past record producer and songwriter Liam Howlett. The band's line-up has included MC and vocalizer Maxim, dancer and vocalist Keith Flintstone (until his expiry in March 2019), dancer and live keyboardist Leeroy Thornhill (who left to pursue a solo career in 2000), and dancer and singer Sharky (1990–1991). Along with the Chemical Brothers and Fatboy Slim, the Prodigy are credited as pioneers of the breakbeat-influenced genre big vanquish, which achieved mainstream popularity in the 1990s. Howlett'south rock-inspired drum rhythms infused with electronic rave music beats/breaks were combined with Maxim'south omnipresent mystique, Thornhill's shuffle dancing manner and Flint's modern punk appearance.[ane]

The Prodigy describe their style as "electronic punk,"[2] being the pioneers in this rhythm, with a punk conceptual expression in many of their albums accompanied by strong and groundbreaking rhythms.[3]

The Prodigy emerged in the underground rave scene in the early 1990s and accomplished popularity and worldwide recognition with UK number one singles such as "Firestarter" and "Exhale", both singles coming from their UK and US nautical chart-topping album The Fat of the State (1997). A third single from the anthology, "Smack My Bitch Up", was as well successful also as the chart-reaching "Omen" from 2009. They earned titles similar "the premiere dance act for the alternative masses" and "the Godfathers of Rave",[4] and remain one of the most successful electronic acts of all fourth dimension. They accept sold an estimated 25 million records worldwide,[5] and won numerous music awards during their career, including ii Brit Awards for All-time British Trip the light fantastic Act, iii MTV Video Music Awards, two Kerrang! Awards, five MTV Europe Music Awards, and received 2 Grammy Award nominations.[6] [vii]

History [edit]

Formation and "Charly" (1990–1991) [edit]

The Prodigy were founded in Braintree, Essex, in 1990 by keyboardist and songwriter Liam Howlett. He had taken piano lessons in his youth and gained the power to play difficult passages in just a few run-throughs.[8] Later on he decided to pursue a music career, Howlett met dancer and vocalist Keith Flint in mid-1989 at a rave at which Howlett was DJing. Later on Flint requested Howlett make a mix record for him, Howlett obliged, returning a cassette several days afterward with a drove of his own songs on the other side.[nine] Howlett had scratched the word "Prodigy" onto the cassette, the aforementioned name as the Moog Prodigy analogue synthesiser,[ten] and Howlett'due south moniker.[11] The tape was well received by Flintstone and keyboardist Leeroy Thornhill who developed new trip the light fantastic toe sequences to the music and suggested to Howlett they brainstorm a group together.[11] They were soon joined by MC and vocalist Maxim, then known every bit Saying Reality, and female person dancer and vocaliser Sharky, a friend of Flint's. Together they became the first line-up of the Prodigy.[11]

The group'due south offset live gig occurred at Iv Aces in Dalston, London.[12] [11] With a group secured, Howlett wrote, produced, and mixed a 10-track demo tape on a Roland W-30 sampling workstation keyboard, and approached Tam Tam Records with the hope of securing a tape bargain, simply they declined.[13] He then turned to Twoscore Recordings, headed by Tim Palmer (Founder) and Nick Halkes (Head of A&R) who agreed to a meeting and subsequently picked up the demo and signed the group on a 4 x Single contract.[xiii] In February 1991, the ring released the extended play What Evil Lurks on 12-inch vinyl, containing four songs that Howlett had produced on the demo.

In August 1991, the Prodigy released their debut single "Charly",[14] which samples dialogue from the Charley Says serial of animated films produced past the Fundamental Office of Information. Information technology became a striking in the rave scene at the fourth dimension,[15] and reached number 3 on the UK Singles Chart, thus catapulting the band into the wider public attention.[16] The success of "Charly" began a tendency of mixing trip the light fantastic toe and "hardcore rave" tracks with drawing samples, such as "A Trip to Trumpton" by Urban Hype and "Sesame'southward Treet" by Smart Due east's, which were a hit with clubbers, just not to reviewers and critics,[17] who dismissed the music as "kiddie rave" or "toytown techno".[xviii]

"Everybody in the Place" and Experience (1991–1993) [edit]

External video
video icon The Prodigy - Out of Space (Official Video)

The band'due south second unmarried, "Everybody in the Place (Fairground Edit)", was released in December 1991.[14] It reached number 2 in the Great britain, browbeaten by a re-release of "Bohemian Rhapsody" by Queen following the expiry of their singer Freddie Mercury.[19]

In September 1992, the band released their debut total-length album Experience, produced entirely by Howlett. The idea of making one originated from 40, and initially Howlett wanted to produce a "rave concept anthology" inspired by the progressive rock band Pinkish Floyd, merely abandoned the idea due to the risk of limiting his musical ideas.[20] Information technology peaked at number 12 on the U.k. Albums Chart, and was certified platinum by the British Phonographic Manufacture (BPI) for selling over 300,000 copies.[21] [22] The album contains many samples of songs from other artists, and closes with a live version of "Death of the Prodigy Dancers" featuring Proverb on vocals. As with "Charly", it became landmark release in the history of British rave music. Five singles spawned from the album: "Charly", "Everybody in the Place", "Fire/Jericho", "Out of Infinite", and "Wind It Upward (Rewound)"; the latter a remix of "Wind Information technology Up".

Later Experience and the run of singles that accompanied information technology, the Prodigy moved to altitude themselves from the "kiddie rave" reputation that now dogged them. The rave scene was beginning to move on from its hardcore stage, with the Criminal Justice Act'southward "anti-rave" legislation on the horizon, calling rave music "repetitive beats".[23] The Prodigy responded to the bill by writing "Their Law".

Music for the Jilted Generation (1993–1995) [edit]

In 1993, Howlett released an bearding white label, bearing only the title "Earthbound I". Its hypnotic, hard-edged audio won wide underground approval. Information technology was officially released every bit "One Love" subsequently that year, and went on to nautical chart at number viii in the UK.[24] The following year, the Prodigy'southward second anthology, Music for the Jilted Generation, debuted in the Britain Albums Chart at number 1, and received positive reactions from album critics.[4] Calculation elements of big beat and electro-industrial[ commendation needed ] to the mix, the anthology expressed a wider spectrum of musical styles, with heavy breakbeat-based tracks complemented by the concept sequence The Narcotic Suite and a rock-oriented inclination, "Their Constabulary", featuring Pop Will Eat Itself. The album was later described as a "complex, powerful record that propelled trip the light fantastic music into stadiums with stone'n'whorl swagger".[25]

The album was nominated for a Mercury Music Prize, although Howlett had reaffirmed his dedication to making the Prodigy a 'hard dance band', commercially successful merely without compromise.[26] The band managed to continue to prevent over-exposure in the media by refusing to announced on Superlative of the Pops or other tv set shows in the Great britain.[27] To appointment, their simply studio advent on British television set came when they appeared on the BBC2 series Trip the light fantastic toe Energy in 1991, performing "Everybody in the Place". In the ensuing years, their videos received a stiff level of back up past MTV Europe, which additional their popularity across the continent. Keith Flint himself hosted an episode of the MTV show 120 Minutes in 1995.

Following the international success of Music for the Jilted Generation, the ring augmented their line-upwards with guitarist Jim Davies (a live band member who later joined the grouping Pitchshifter) in 1995 for tracks such as "Their Law", "Break and Enter 95", and various live-simply interludes and versions. He was soon to exist replaced by Gizz Butt of the band Janus Stark, who remained with the band for the next 3 years.[28]

A number of the songs from the album were used in the film Hackers which starred Jonny Lee Miller and Angelina Jolie.

The Fat of the Land (1996–2000) [edit]

External video
video icon The Prodigy - Firestarter (Official Video)

The release of "Firestarter" in 1996, featuring vocals for the first time courtesy of a new-wait Keith Flint, helped the band break into the The states and other overseas markets, and reached number one on the United kingdom of great britain and northern ireland Singles Chart.[29] In this year the Prodigy also headlined the prestigious Lollapalooza festival.[thirty]

The long-awaited third Prodigy album, The Fat of the Country, was released in 1997, just equally the ring headlined the Glastonbury Festival on its opening night.[30] Featuring simplified melodies, sparser sampling, less rave music influences, and punk-similar vocals supplied past a shockingly madeover Flint, the album however retained the bone-jarring breaks and buzzsaw synths then idiomatic of the ring. The album cemented the band'south position as i of the well-nigh internationally successful acts in the dance genre, inbound the UK and U.s. charts at number one.[29] [31]

The Prodigy were getting considerable airplay on rock stations with their controversial runway "Smack My Bitch Upward"—and likewise a negative backlash for the song. The National Arrangement for Women (At present) criticized the song and its music video. The song's lyrics consist entirely of the repeated phrase "Alter my pitch up, smack my bitch up", which NOW stated are a "dangerous and offensive message advocating violence against women".[32] Howlett responded to the criticism by stating that the meaning of the song and its lyrics were being misinterpreted, and the phrase meant "doing anything intensely, like beingness on phase—going for extreme manic free energy".[32] The ring did non actually write the lyric, but rather, sampled it from the hip hop Ultramagnetic MCs' track "Give the Drummer Some"[33] which also appears on the Dirtchamber Sessions; they had besides sampled another Ultramagnetic MCs vocal "Critical Beatdown" on their earlier "Out of Infinite" single.[34] The National Organization for Women also believed that the lyrics are in reference to administering heroin (smack) to some other person.[35] Several radio stations limited the vocal's airplay to night hours.[36] In September 1997, the Prodigy performed "Breathe" at the 1997 MTV Video Music Awards, and won the Viewer'southward Selection Award.[37] [38]

During a performance at the Reading Festival on 29 August 1998, the Prodigy and the Beastie Boys had an onstage disagreement over the track, with the Beastie Boys requesting the vocal should be pulled from their set as it could be considered offensive to those who had suffered domestic abuse.[39] Choosing to ignore the Beastie Boys' plea, Maxim introduced "Smack My Bitch Up" with the annunciation "They didn't desire us to play this fucking melody. Just the way things get, I practise what the fuck I want".[forty] [41]

Wal-Mart and Kmart later announced they would pull The Fat of the State off their shelves. Despite the fact that the LP had resided on their store shelves for over 20 weeks, and the fact that they had sold 150,000 copies of the anthology in full, the ii stores found the marketing campaign for the new unmarried release "offensive".[42] At the 1998 MTV Video Music Awards in Los Angeles, "Smack My Bowwow Up" won two awards; Best Dance Video and Breakthrough Video.[43]

1999 saw the release of the Prodigy'southward The Dirtchamber Sessions Volume One, a DJ mix anthology by Howlett, produced every bit an official record of a successful guest appearance on the British Radio 1.[44] The original session came into existence following a chat betwixt journalism and band biographer Martin James and Breezeblock presenter Mary Anne Hobbs. They are subsequently both thanked on the album sleeve notes. In June of the same year, when the band had arguably reached their commercial top, they parted visitor with guitarist Gizz Butt.

Following 1999, Thornhill departed from the group later on splitting upwardly with Sara Cox; the band's website was replaced with their logo and the words "We will be back..." set against a black background, which would remain until 2002.[45]

The ring'southward website after Thornhill left in 2000.

Reunion (2001–2004) [edit]

In 2002, after the group performed some alive shows in 2001, the single "Baby's Got a Temper" was released to critical disappointment. The original version of the song was written by Keith Flint's sideband, Flint and was called 'NNNN'. The Prodigy version was a total reworking of Flint'southward rails with but a few of the lyrics and melody remaining from the original and produced past Howlett. The song too featured Jim Davies. In one case again, the band courted controversy past including references to the and then-called "date rape" drug Rohypnol in the song's lyrics.[46] The song's music video was also controversial, which featured barely covered women milking cows in a suggestive fashion. The complete, unedited video was aired on MTV2 in 2002 as part of a special late-night countdown showing the near controversial videos e'er to air on MTV.[47] In the same yr, however, Q magazine named the Prodigy 1 of the "50 Bands to See Before You lot Die".[48]

Always Outnumbered, Never Outgunned (2004–2008) [edit]

Liam Howlett live in August 2005.

The Prodigy'southward fourth studio album, E'er Outnumbered, Never Outgunned, was released on 23 August 2004, and xiv September 2004 in the US. A precursory and experimental single, "Memphis Bells", was released in very express numbers, followed by the traditional release of the unmarried "Girls". The Us version of the studio album independent a bonus rail; a remix of "Girls", entitled "More than Girls". The album, which topped the Uk Albums Chart in its debut week,[21] was promoted by a two-year-long tour.

5,000 digital copies of "Memphis Bells" were sold over the Internet. Each re-create was a combination of customer-chosen instrumental, rhythmic, and melodic options, of which 39,600 choices were available. Five mixes were sold in iii file formats, WAV, two audio mixes in MP3, and a five.1 DTS surround audio mix, and all were free of digital rights direction.[47]

In 2005, they released a compilation, Their Constabulary: The Singles 1990–2005, which spawned a single containing new remixes of the songs "Out of Infinite" ("Audio Bullys Remix") and "Voodoo People" (the "Pendulum Remix"). The artwork represented drawn versions of the front end covers of the "Out of Space" and "Voodoo People" single releases. The latter was as well followed by a music video filmed in Romford Market, Essex, which featured on the DVD release of the compilation. Sharky, the group's merely female member, is shown running and winning the race depicted in the video. Also in 2005, the song "You lot'll be Under my Wheels" from the Ever Outnumbered, Never Outgunned album was added to the soundtrack of Demand for Speed: Nearly Wanted. The cover artwork included an extended essay by band biographer Martin James.

In 2006, the song "You'll exist Nether my Wheels" from the Always Outnumbered, Never Outgunned album was added to the soundtrack of The Fast And The Furious: Tokyo Migrate.

The Prodigy'due south first 2 albums, 1992's Experience and 1994'south Music for the Jilted Generation, were re-released in expanded, deluxe editions on 4 August 2008.[49] Likewise as being remastered, the new packages featured a bonus disc including mixes, rarities, and live tracks. The two albums also featured expanded artwork in addition to the new musical content.

When asked virtually the idea, Howlett responded that they were getting prepare to make a new anthology:

No, we're all done with that [those albums] at present, all the erstwhile textile. We didn't really want to do the Greatest Hits, we were ready to start our new tape—until the record company pointed out that it was in the contract. Only then we got into information technology, and tried to exist creative with it as much equally [we could]. And, you lot know, nosotros ended up being really proud of it. Yous have to take a dissimilar brain when you're doing a record like that. It's more than near [saying] "this is your accomplishment"; I could hold in ane hand all the records we've released, so that was cool. Nosotros're moving on now, and getting on with the new tape.[47]

Invaders Must Die (2008–2010) [edit]

The Prodigy tested a few of the new tracks at Rainbow Warehouse Birmingham and Plug in Sheffield in May 2008. The Prodigy showcased three new songs at the Oxegen Festival in the early hours of 13 July 2008. Among the tracks previewed were "Worlds on Fire", "Warriors Trip the light fantastic toe", and "Mescaline".

On v Nov 2008, information technology was appear that the band's fifth studio album would be called Invaders Must Die and would exist released on the band's new label, Take Me to the hospital. It was released in the U.S. on iii March 2009, and was the first Prodigy album since 1997's The Fatty of the Land to characteristic all iii members of the ring.[50] [51]

The album featured Dave Grohl on drums for "Run with the Wolves". The pinnacle v hit "Omen" and "Invaders Must Die" were co-produced with Does It Offend You, Yep? frontman James Rushent.[52] The band said that the album would become back to their "old-school simply cutting edge" roots.[ commendation needed ] The album was released as a CD, CD-DVD prepare, double vinyl, digital download, and a luxury 7-inch vinyl box set including v seven-inches, CD-DVD, bonus CD, affiche, stickers, and stencils.[53]

Invaders Must Die was released on 21 Feb 2009 in Australia and in Europe on 23 Feb 2009, charting at number one in the U.One thousand. with week one sales of over 97,000—a higher effigy than for either Always Outnumbered or their singles collection.[29] The album also reached the height v in Germany and Commonwealth of australia and top 10 in Norway and several other European countries.

Maxim performing in 2009.

To coincide with the release of the album, the band embarked on a 9-date UK arena tour, with support from Dizzee Rascal, Noisia, Herve, and DJ Kissy Sell Out. The bout included the first edition of the band's own annual trip the light fantastic toe gig, the Warriors Dance Festival. The single "Omen" debuted at number one on the Canadian Singles Chart the week of 25 Feb 2009 and won the Kerrang! Honor for Best Single. The initial disquisitional response to Invaders Must Dice was somewhat mixed. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an boilerplate score of sixty, based on twenty reviews.[54] However, the album was well received by the fans, who welcomed it in a positive lite compared to Always Outnumbered, Never Outgunned.[55] Two singles followed, "Warrior's Trip the light fantastic" and "Take Me to the Hospital", which were released on 11 May and 31 Baronial 2009 respectively. The old song peaked at number 9 on the UK Singles Chart,[29] while the latter included a VHS-filmed music video that premiered on VidZone.[56] A 4th single, "Invaders Must Die (Liam H Reamped Version)", from the Special Edition of the album, was released.[56] Howlett would later on describe the anthology equally "more of a commemoration. Nosotros'd come back together and were like, 'Yes! Nosotros're here, nosotros're really buzzing!"[25]

In the aforementioned year, Howlett co-produced the song "Immunize" on Pendulum'south third anthology, Immersion.[57]

They likewise played Glastonbury in 2009.[58]

The Day Is My Enemy (2010–2015) [edit]

In May 2011, the band released World'southward on Fire, their showtime live album and concert film documenting their 24 July 2010 show at the Milton Keynes Basin equally part of that year's Warriors Dance Festival.[59] The film screened to select theatres across Europe for one night.[60] On xvi November 2010, Howlett announced that after their American tour with Linkin Park, the Prodigy were to re-enter the studio to record new material.[61]

On 6 August 2011, the Prodigy headlined the Przystanek Woodstock in Poland,[62] while at their 2 final shows of 2011 in Brazil, they premiered ii new tracks: "A.W.O.50" and "Dogbite".[63] They headlined the 2012 Download Festival on 8 June playing a regular setlist, with the addition of three new songs, "Jetfighter", "Dogbite" and "A.W.O.Fifty",[64] accompanied by on-stage imagery of jet aircraft.[65] Howlett has confirmed this album volition not exist dubstep, but that information technology volition feel "fresh" whilst darker.[66] In Apr 2012, to commemorate the fifteenth ceremony of The Fat of the Land, the album was re-released alongside a remix EP, The Added Fat EP,[67] featuring remixes from multiple groups such as Major Lazer, Noisia, and Zeds Expressionless.

On iii May 2012, the Prodigy appear the working title of their new album How to Steal a Jetfighter.[68] In December 2012, a new runway titled "The Solar day" was debuted at Warrior's Brixton[ citation needed ] and in June 2013, a new track titled "Rockweiler" was debuted at Stone am Ring.[ commendation needed ] The ring headlined the Sonisphere Festival at Knebworth in 2014.[69] On 2 July 2014, the ring revealed their upcoming anthology would have a different name and a "violent sound".[70] In August 2014, they signed to the 3 Half-dozen Zero Group for the U.s.a.,[71] returning to Warner Music for the first time since 2004. Saying indicated in September 2014 that the new Prodigy album would be released in the showtime quarter of 2015.[72] It was later appear on half dozen Jan 2015 that the next Prodigy album would exist releasing 30 March 2015 and that information technology had been given the championship The Day Is My Enemy.[73]

On 12 January 2015, the Prodigy released "Nasty" equally the atomic number 82 single off their upcoming anthology forth with the title track on 26 January 2015. Howlett establish that "violent is the word that keeps on coming up" when describing the anthology. The unabridged recording process took almost six years taking in a number of studios and a few restarts to plant that "angry, energetic sound".[25] Different previous efforts The Twenty-four hours Is My Enemy became a band-album where Flintstone and Proverb worked in tandem with Howlett. This created a degree of friction although Flintstone noted that "four years ago we sat down and talked about where the side by side album was gonna get, and we knew we had to bust out the virtually 'ring' album we could create".[25]

The band played at Futurity Music Festival Australia in Feb/March 2015 and toured Germany and French republic in April 2015[74] and the UK in May 2015.[75] They also performed at the Rock Werchter, Rock am Ring/Stone im Park, Benicàssim and Isle of Wight festivals.

On 23 February 2015, the Prodigy released "Wild Frontier" as the second single off their upcoming album The Day Is My Enemy afterward announcing information technology three days earlier. The Stop-motion animation was directed by the Dutch filmmaker Mascha Halberstad[76] and animator Elmer Kaan.[77] The Cover Fine art was designed past Austrian artist and designer Moritz Resl.[78] In 2015, the Prodigy announced a winter 2015 UK and mainland Europe tour on 26 May, with Public Enemy as support.[79]

No Tourists and death of Flint (2016–present) [edit]

The Prodigy'south seventh studio album, No Tourists, was released on 2 November 2018 under a new recording deal with BMG Rights Management.[80] The deal reunited the group with Howlett'southward song publishing, which BMG had acquired from EMI Music Publishing in 2012 equally part of the Virgin Music catalogue.[81]

On iv March 2019, Flintstone was establish dead at his home in Essex,[82] weeks after the band had toured Commonwealth of australia and New Zealand.[83] [84] The rest of the Prodigy'due south tour dates were cancelled.[85] Following Flint's decease, fans began using the Twitter hashtag "Firestarter4Number1" on various social media platforms to get "Firestarter" to number one on the Uk singles chart out of respect for Flint and to raise awareness of suicide among men.[86] In Baronial 2020, Howlett said that the Prodigy will continue.[87] That Christmas Twenty-four hour period, he confirmed that new music volition be released at some point in 2021.[88] Former member Leeroy Thornhill said that Howlett had been working on a new Prodigy anthology at the time of Flint's decease, and wishes to complete it as a tribute to Flint.[89] On 10 February 2021, the ring announced their plans to begin production on a documentary pic virtually the band's history, with a now unknown title and release engagement. Information technology will be directed by long time collaborator Paul Dugdale and produced by Pulse Films.[90]

Musical style and influences [edit]

Forth with the Chemical Brothers and Fatboy Slim, the Prodigy have been credited equally pioneers of the large beat genre, which accomplished mainstream popularity in the 1990s.[ane] The Prodigy is not considered entirely representative of the genre, as their product "often reflected the more intelligent edge of trip-hop, and rarely broke into the mindless arena of truthful big beat" according to AllMusic.[1] The Prodigy are also considered culling dance,[91] [92] techno,[93] [94] [95] electronica,[93] electropunk,[five] breakbeat hardcore,[96] and rave.[97] [98]

Liam Howlett cited early electro equally a big influence, mentioning tunes like "Clear" past American music group Cybotron and "Al Naafiysh" by Hashim. He also cited The Bomb Squad, Public Enemy, and Rage Against the Automobile as influences.[99]

Ring members [edit]

Timeline

Awards and nominations [edit]

Discography [edit]

Studio albums

  • Feel (1992)
  • Music for the Jilted Generation (1994)
  • The Fat of the Land (1997)
  • Always Outnumbered, Never Outgunned (2004)
  • Invaders Must Die (2009)
  • The Solar day Is My Enemy (2015)
  • No Tourists (2018)

References [edit]

Specific

  1. ^ a b c "Big Shell". AllMusic. Archived from the original on iv Dec 2011. Retrieved 30 September 2011.
  2. ^ "Liam Howlett: Punk and hell-raising". The Independent. 17 Dec 2013. Retrieved 12 May 2021.
  3. ^ "The Prodigy interview: 'Calvin Harris? That'south just waffle. That isn't existent'". inews.co.united kingdom of great britain and northern ireland. fifteen November 2018. Retrieved 12 May 2021.
  4. ^ a b John Bush. "Music for the Jilted Generation – The Prodigy". Allmusic. Archived from the original on 3 May 2021. Retrieved 8 Oct 2011.
  5. ^ a b Roach, Martin (2010). The Prodigy : electronic punks : the early years 1988-1994. Church Stretton: Independent Music. ISBN978-one-906191-17-7. OCLC 1100929625.
  6. ^ The Brit Awards: Prodigy Archived i February 2012 at the Wayback Automobile Brits.co.uk. Retrieved 12 Feb 2012
  7. ^ The Prodigy Archived thirteen February 2010 at the Wayback Machine Rock on The Net. Retrieved 12 February 2012
  8. ^ James 2002, p. xv. sfn error: multiple targets (2×): CITEREFJames2002 (help)
  9. ^ Roach 2010, p. 22. sfn fault: multiple targets (2×): CITEREFRoach2010 (help)
  10. ^ James 2002, p. 44. sfn error: multiple targets (2×): CITEREFJames2002 (assist)
  11. ^ a b c d Roach 2010, p. 23. sfn error: multiple targets (2×): CITEREFRoach2010 (help)
  12. ^ Emma Warren, "From the Dug Out and dreads to DMZ and dubstep: 10 classic club nights" Archived 12 January 2021 at the Wayback Auto, The Guardian. Retrieved 20 Apr 2012.
  13. ^ a b Roach 2010, p. 30. sfn error: multiple targets (2×): CITEREFRoach2010 (assist)
  14. ^ a b James 2002, p. 280. sfn error: multiple targets (ii×): CITEREFJames2002 (help)
  15. ^ Mike Schiller (23 December 2005). "The Prodigy: Their Law: The Singles 1990–2005". PopMatters. Archived from the original on 30 November 2011. Retrieved thirty September 2011. Songs like "Out of Space" and "Charly" turned into massive club hits
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  17. ^ Ben Gilman. "A brusk history of Pulsate and Bass". globaldarkness.com. Archived from the original on 29 May 2014. Retrieved xiii October 2011.
  18. ^ Thomas Inskeep (8 May 2006). "The Prodigy – Their Law: The Singles 1990–2005". Stylus Magazine. Archived from the original on 21 Oct 2011. Retrieved 30 September 2011.
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  20. ^ Roach 2010, p. 56. sfn mistake: multiple targets (2×): CITEREFRoach2010 (assistance)
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  23. ^ Martin Bate. "Review". theprodigy.info. Archived from the original on iv July 2013. Retrieved 13 October 2011.
  24. ^ "Promo". theprodigy.info. Archived from the original on 26 June 2012. Retrieved 2 October 2011.
  25. ^ a b c d McQuaid, Ian (17 Jan 2015). "The Prodigy: 'we should exist as important as Oasis or Mistiness'". theguardian.com. Archived from the original on iii May 2021. Retrieved 16 December 2016.
  26. ^ "Books". theprodigyfanboy.com. 31 Baronial 2011. Archived from the original on 26 June 2012. Retrieved 13 October 2011.
  27. ^ "Prodigal son". The Guardian. xx Baronial 2004. Archived from the original on 3 May 2021. Retrieved thirteen Oct 2011.
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  29. ^ a b c d Roberts, David (2006). British Hit Singles & Albums. London: Guinness World Records Limited.
  30. ^ a b "Essex Boys Come First". Q. No. December 1997.
  31. ^ "The Fat of the Land review". Billboard. 1997.
  32. ^ a b Chuck Philips (iv December 1997). "Time Warner Again Faces the Music Over Vocal Lyrics". LA Times.
  33. ^ The Fat of the Land liner notes.
  34. ^ Liner notes from "Out of Space" single and Experience album.
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Books

  • James, Martin (2002). The "Prodigy" (Paperback ed.). Sanctuary Publishing Ltd. ISBN978-1-860-74356-6.
  • Roach, Martin (2010). The Prodigy: The Official Story – Electronic Punks. John Blake Publishing. ISBN978-1-784-18964-eight.

External links [edit]

  • Official website Edit this at Wikidata

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